

We pick up shortly after the first season, with the Horses frustrated that their heroics haven’t led to better things. Apple’s usual ban on spoilers means that, of the plot, I can only say that it features “long-buried Cold War secrets” which “threaten to bring carnage to the streets of London.” Oh, and that “when a liaison with Russian villains takes a fatal turn, our hapless heroes must overcome their individual failings and raise their spy game in a race to prevent a catastrophic incident.” Season Two is based on Dead Lions, the second in Herron’s series of Slough House novels, and focuses on Lamb’s investigation of the death of a former officer. Of course, you wouldn’t have a series if the misfits weren’t frequently embroiled in the grander machinations of the intelligence community. Led by the “colorful” Jackson Lamb, the Slow Horses are often left doing administrative donkeywork nobody else thinks is worth doing. It focuses, once again, on the staff members of Slough House, the closest thing MI5 has to purgatory for disgraced intelligence officers. The show’s second season, which returns to Apple TV+ on December 2nd, carries on in that vein, albeit with less of the show’s trademark humor. Mixed with a shot or two of black comedy, and it made for a surprisingly gripping package I felt compelled to rave about back in April.


What viewers found, however, was a low-stakes spy drama with the sort of pulpy, throwback thrills that you rarely see in our more self-serious age. It was yet another Apple TV hit whose marketing hadn’t done well enough to connect with audiences, relying instead on word of mouth. Slow Horses was something of a slow-burning surprise when its first season launched back in April.
